Our History
It has been possible to combine space-age technology and advanced sound conducting materials with computer assisted research on the physics and geometry of bow design to manufacture bows which are being compared by renowned artists with the finest bows of the great French masters - even those of Francois Tourte. In some properties Berg bows surpass fine French bows. Because we have control over the component materials in the shaft, the density and flexural qualities are extremely constant. By contrast, pernambuco wood can vary considerably in these parameters. This can pose problems for the traditional bow maker.
Shaft specifications, like taper and camber, are based on Tourte's principles, but unlike the traditional bow maker, we have precise computer control over these parameters. This means that there are no bad Berg bows. All perform to the same high standard. With high precision in the taper and camber, sound waves traveling along the shaft are not diffused and ineffectual. In other words, maximum sound projection is achieved with the sound waves produced by the violin, viola, cello or string bass. With the Berg Bow one immediately notices the production of a bigger sound. This bigger sound, produced without strain, engenders relaxation, which in turn, results in improved technique overall. The sound quality of the Berg Bow is very special. It offers a highly centered clear tone which one can make very expressive. Finally, the computer designed geometry of the shaft translates into a smooth whole bow detaché all the way to the tip. Artists express delight in having a bow with strong sound making potential in the upper quarter. String players are enthusiastically endorsing the Berg bow and tell us that their appreciation for the bows unlimited potential continues to grow over time. This response from artists around the world is a clear indication of the exceptional quality of the Berg bow. *BERG is a registered trademark of Berg Bows, Incorporated.
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